Bootleg: Beyond The Setlist. Remember When?


Notes on live music, connection, and the emerging future, by Bootleg founder and CEO, Rod Yancy

There is a kind of music origin story that fans talk about in a very particular way.

The National playing a bar in Cincinnati to forty people in 2003. Arctic Monkeys on their first US run before anyone outside Sheffield had caught up. Phoebe Bridgers at a small room in Los Angeles before Funeral made that kind of discovery feel impossible.

The details change, but the feeling doesn't.

The music industry is good at capturing artists once the story becomes legible, when the venues get bigger and the infrastructure quickly follows.

The moment before that, when the artist is still finding the shape of what they're making, tends to disappear.

At Bootleg most of our energy to this point has been spent building around established artists and their super-fan bases, giving people something to hold onto that compounds long after the show ends.

That work continues. But we've been working on something new to capture the specific kind of magic that happens when you experience artists on the rise before they become household names.

We're partnering with our friends at Big Ass Kids to launch 'Remember When', a recurring showcase series at small, iconic venues featuring curated lineups of emerging artists. These shows will have a special home inside the Bootleg app and our intention it to capture those 'lightning in a bottle' moments that later become the stuff of legend.

We're kicking it off this weekend at Big: Culture & Arts Festival in downtown Gainesville. On Sunday we'll have our own stage at How Bazar, a venue that's become one of the anchors of Gainesville's creative community.

We're recording sets from six emerging artists whose names you may not know yet, which is exactly why we're there.

Every artist we love has a night like that somewhere in their history, one which only became significant later, when the story caught up to what was actually happening.

Remember When is built around the idea that we don't have to wait for the story to catch up.

This week marks the start of our first tour with Emo Orchestra — the live concert experience that reimagines emo classics with a full orchestra alongside The Spill Canvas.

The Spring 2026 run kicks off April 7 in Nashville and moves through 30 dates across the country, hitting New York, Austin, Dallas, San Francisco, Los Angeles and more before wrapping in mid-May.

It's a big tour, a passionate fanbase, and exactly the kind of artist partnership we've built for. As we've already seen in our partnership with Jack's Mannequin, emo music has a dedicated community of fans who want something to hold onto from a night that only happens once. Excited to kick things off with them!

Follow the tour on Bootleg here.

Whether it's a room of forty people watching an artist find the shape of what they're making, or a sold-out theater full of people who never forgot the songs that shaped them, the impulse underneath is the same.

Some things reveal their worth immediately, in the moment, before anyone has the language to describe what they're witnessing.

Others prove it slowly, over decades, through the way they keep showing up in people's lives long after the night ended.

What we're building is for both.

With gratitude,

Rod Yancy
Founder & CEO, Bootleg.live

www.bootleg.live

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www.bootleg.live

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BOOTLEG: Beyond the Setlist

Notes on live music, connection, and the emerging future.

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