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Notes on live music, connection, and the emerging future.
Notes on live music, connection, and the emerging future, by Bootleg founder and CEO, Rod Yancy There's something I keep coming back to when I think about where the music industry is headed. It's about what fans are willing to do. Passive listeners are abundant, but they're also easy to lose. The fan who shows up early, stays late, and talks about a show for years afterward is a different kind of person, and I don't think the industry has fully reckoned with what it would mean to actually...
Notes on live music, connection, and the emerging future, by Bootleg founder and CEO, Rod Yancy Every stage has a story. Very few of them get kept. The ones that do get kept tend to belong to institutions that somewhere along the way arrived at the same understanding: the archive is the asset. We've been in conversations with one of those institutions recently, and what struck me most wasn't the scale of what they've built. It's the seriousness with which they think about what they've already...
Notes on live music, connection, and the emerging future, by Bootleg founder and CEO, Rod Yancy The first recognized commercial bootleg was a Bob Dylan record in the summer of 1969. Two guys in Los Angeles pressed unreleased Dylan recordings onto vinyl without his permission, without a label, without anyone’s blessing. They called it Great White Wonder. It sold tens of thousands of copies. What followed was an underground economy built around a single insight: fans wanted to own the moments...